Based on his soon to be published autobiography, OLEG tells the incredible life story of Oleg Vidov. Born in communist Russia to a teacher, by the age of 25, Oleg had become one of the Soviet Union’s most celebrated actors of his time. However, no amount of fame could save him from the political system that tried to control his life. He married into General Secretary Brezhnev’s inner circle only to wind up blacklisted, threatened with death, and forced to defect to the West. Reinventing himself in Hollywood, his efforts to counter anti-Russian stereotypes were attacked by the same forces that ruined his career decades earlier. Finally, in October 1991, with Oleg’s fears of persecution calmed by rise of perestroika, he returned to Moscow to star in a Danish film. Two months later, on Christmas Day 1991, President Gorbachev resigned from office and the USSR collapsed.
U-Trip is the story of a day in the life of Berlin’s metro. Trains and stations become the meeting point of a vast array of characters drawn from the rich and tattered fabric of 21st century Berlin.
“Song Sparrow" is about immigration. People of different color and race and culture, old and young, embark on journeys, eager to find some place they can call home, or just some place they can live in. Many brave perils more formidable than the ones they ran for in the first place. It is not always weathering storms till and onto shores of calm and prosperity; many a time storms keep them company on and off shores. They dream of better lives while in reality having little choice.
It is about a real event which happened in Austria in August 2015, where flesh and bone of human and animal become intermingled.
This short movie may inspire the viewer to ask: "is it better to go or stay", or more accurately: "is it worse to stay than to go? Is a large chunk of humanity entrapped by events befallen their lands many centuries before they were even born?
" Song Sparrow" uses dolls to pose these questions. It is no less disturbing even though dolls have no life in them. But an attempt is made to show the situation faced by those that have no choice but to put their lives in peril to escape perils of staying, and to trade staying within chaos for a chaotic escape.
We use various technologies to track your identity and your interaction with our content while you are on our site. Our goal is to limit the use of this kind of technology to functions that are strictly necessary for the purpose of being a festival attendee, filmmaker, judge, or presenter. You have full control over the few exceptions that are not strictly necessary.
We do not use any first-party cookies on this site, though we do use a newer technology called "local storage" to store information about your identity and interaction with our site on your computer. We may use a third-party cookie for analytics tracking and another for your purchases. We do not use third-party cookies for the purposes of advertising or collecting information for use by third-parties.
The primary need for our storage of data on your computer is to track your authentication status and synchronize the purchases stored on the web site, thus enabling you to access the content to which you have access. When you are not authenticated, we also use this technology to track viewing of content in verification of our right to show you that content. On your profile page, you can see the information we store about you and manage it. You do have the right to be forgotten by us, but you will lose access to any purchased content should you exercise this right.
There are two non-essential functions: our use of Google Analytics to help us analyize usage of our web site and our automated watch list tracking. You may turn off one or both non-essential functions. We do ask that you allow these functions as they are used solely for the purposes of bettering this web site and are not used for advertising or sold tracking your beavhior for use by third-parties.